In my hometown of Yefren, about 200 kilometers southwest of Tripoli, Libya, in the Nafusa mountains, my cousin Mira wears our grandmother’s tlaba (wool garment) to connect to her family roots. The photo is part of a documentary project I started to depict Amazigh women from Libya.

From its first read-aloud in Jordan in 2006, We Love Reading has become one of the world’s most-recognized nonprofit organizations encouraging reading among children. Behind its success stand more than 7,000 local volunteer “reading ambassadors”—mostly women—in 61 countries and its founder, a scientist whose own four children inspired her. 

With a lifetime of training from leading sitar virtuosos, Alif Laila is one of few women to achieve international recognition with the mesmerizing instrument whose sound evokes the musical identity of the greater Indian subcontinent. She is as passionate about music as she is about encouraging other women.

Some took portraits of women or worked in the labs of family studios. Some worked across the region with employers or family members. A few struck out on their own. None received much notice—until recently. Three historians introduce leading women photographers of the early 20th century in the Middle East.

From the hospital that carries her name to the villages where she is affectionately greeted as Edo (Auntie), Edna Adan has helped Somaliland recover from a civil war and inspired a rising generation of women leaders in medicine, public service, environmental conservation and even the arts.

One Saudi woman's historic journey to climb atop the "the seven summits," the highest peak on each continent, is about making the impossible achievable.

When she governed the Moroccan coastal city of Tétouan, the Spanish accused her of organizing piracy, while at home she won respect from both Moroccans and post-1492 Andalusian émigrés. On land and sea, hers was a life charted by crisis.

Wife and mother, businesswoman, fashion designer, real estate developer, garden plan-ner, philanthropist devoted to women, battle commander, tiger hunter: For the woman with a royal name meaning “Light of the World,” those were all part of Nur Jahan’s main job—running the Mughal empire.
 

Using a single light suspended from the ceiling to shine through a laser-cut sculpture 
in wood that is painted black, Pakistani-American artist Anila Quayyum Agha transforms the Rice Art Gallery in Houston into an allusion to Islamic sacred spaces where geometric ornamentation and patterns themselves allude to the infinity of creation.