Rebecca Anne Proctor

Adel Abidin, winner of the fifth edition of the Ithra Art Prize, is making an impression with his intricate tapestry that weaves figurative threads of selective memory to tell the tale of the fragility of history.

Azza Fahmy has become a legend in the world of artisanal jewelry from the Middle East. Her designs, now some of the most sought after in the Arab world and internationally, have long championed the history and culture of Egypt and the greater region with contemporary style, forms and vision—often with references to Pharaonic symbolism, Mamluk architecture, Egyptian modernism and vernacular cultures.

Walk into any mosque and at its front you are likely to see a stepped pulpit: the minbar. In Egypt, under the patronage of the Mamluk sultans of the 13th to 15th century, minbars became masterpieces of woodworking—most without nails or glue. Today nearly four dozen Mamluk minbars stand as a priceless but vulnerable heritage: A recent rash of thefts led to the Rescuing the Mamluk Minbars of Cairo Project, which offers protection, promotion and new opportunities for young artisans.