
This photograph was both inside and outside of my grandmother’s sister-in-law’s adobe house near Ankara, Turkey. I was seeking scenes of people in liminal spaces such as windows and doors; in addition, a curtain—which both reveals and conceals—can be a metaphor for the difference between a perspective from the inside or from the outside of any situation.
The image used a pinhole camera that I made by hand from a paint can. Along its curve I made four holes and covered each one with electrical tape that worked like a shutter. Each hole exposed a

Pinhole camera paint can used to make the above image.
—Tuba Koymen
You may also be interested in...
FirstLook: The Beauty of the Streets
Arts
This photo series began unexpectedly when I found that photographing people behind windows and maintaining a distance made me, and the people I photographed, feel more comfortable. I purposefully frame myself in the reflection of the window to see into the space I’m photographing. I feel every window tells a different story.Spotlight on Photography: Discover the Marshes of Iraq in a Visual Story by Wilfred Thesiger
Arts
History
“In the Marshes of Iraq” — November/December 1966FirstLook: Poetic Fusion
Arts
Prior to our modern practice of image manipulation with editing software, photographers worked more with planned intention and craft.