Prior to our modern practice of image manipulation with editing software, photographers worked more with planned intention and craft.

After the war in 1991, Kuwait faced a demand for consumer goods. In response, a popular market sprang up, selling merchandise transported by traditional wooden ships. Eager to replace household items that had been looted, people flocked to the new market and found everything from flowerpots, kitchen items and electronics to furniture, dry goods and fresh produce.

As a Saudi photographer with a passion for cultural, human and heritage themes around the world, I strive to make my images windows to the past as well as reflections of the present. When I came across this guesthouse on a visit to Aswan, Egypt, I was taken back to 3000 BCE to ancient Nubia.

Amid the roar of racers zooming toward the finish line in London during the 1980 Grand Prix, longtime auto-racing photographer and renowned artist Michael Turner trained his lens on a Saudia-Williams FW 07.

In patterns and refractions, the old city of Fez, Morocco, comes to life through the geometric tile works known as zillij. In 2001, AramcoWorld commissioned photographer Peter Sanders to tell the story of a family who for five generations has added new dimensions to art and architecture.

In 1975 AramcoWorld dedicated an entire issue to celebrating the lives of Arab Americans and their impact—from renowned heart surgeon Michael DeBakey to White House correspondent Helen Thomas to entertainer and St. Jude Children’s Research Hospital founder Danny Thomas.

Underwater photographer and writer Eric Hanauer’s work for AramcoWorld exposed an entirely new audience to the rich marine life of the Red Sea. From his home in California, he reflects on his four-plus-decade career.

Part 2 of our series celebrating AramcoWorld’s 75th anniversary this year highlights “visual vagabonding”—the magazine’s expanded use of vibrant images over the decades to fulfill the mission of cultural connection.

In the March/April 1992 issue, writer and photographer John Feeney took AramcoWorld readers on a walk through the streets of Cairo during Ramadan.

Amid the roar of racers zooming toward the finish line in London during the 1980 Grand Prix, longtime auto-racing photographer and renowned artist Michael Turner trained his lens on a Saudia-Williams FW 07.

“In the Marshes of Iraq” — November/December 1966