
FirstLook: Learning from the Pattern-Masters
Photo by Richard Doughty
Video by Richard Doughty and Johnny Hanson
Walls, windows, doors and satellite dishes tessellate at twilight into a patchwork pattern in the madinah, or walled old city, of Fez, Morocco, as a pedestrian passes into view along one of the city’s typically narrow stone streets. Nestled in a valley crowned by gentle hills, Fez is one of the Islamic world’s great historic centers of the art of geometrically based patterns executed in tile, plaster, stone, wood and metal. Like all such patterns, those that adorn the mosques, madrassahs (schools) and sabeels (fountains) of Fez have their origins in simple, universal geometry that— through practice and elaboration—artists and craft workers developed into celestially intricate masterpieces. These adorn Fez in such numbers that the entire madinah is a UNESCO World Heritage Site. In May AramcoWorld editor Richard Doughty joined a workshop to learn firsthand from the city’s great works, starting with a straightedge, a compass, a pencil and paper. (And an eraser.)
You may also be interested in...
AramcoWorld: 75 Years of Visual Storytelling Through Photography
Arts
History
Part 2 of our series celebrating AramcoWorld’s 75th anniversary this year highlights “visual vagabonding”—the magazine’s expanded use of vibrant images over the decades to fulfill the mission of cultural connection.Spotlight on Photography: Discover the Marshes of Iraq in a Visual Story by Wilfred Thesiger
Arts
History
“In the Marshes of Iraq” — November/December 1966All the Lands Were Sea
History
Arts
In late 1967, photographer Tor Eigoland traveled for more than: a month, mostly by canoe, among the countless villages of southern Iraq's vast marshes. Now, 45 years later, writer Anthony Sattin calls his photographs a "rare and ethnographic record of a lost world. They bring us back to a time and place where people lived in harmony with their environment and respected the balance the natural world needs to thrive.'