
This photograph was both inside and outside of my grandmother’s sister-in-law’s adobe house near Ankara, Turkey. I was seeking scenes of people in liminal spaces such as windows and doors; in addition, a curtain—which both reveals and conceals—can be a metaphor for the difference between a perspective from the inside or from the outside of any situation.
The image used a pinhole camera that I made by hand from a paint can. Along its curve I made four holes and covered each one with electrical tape that worked like a shutter. Each hole exposed a

Pinhole camera paint can used to make the above image.
—Tuba Koymen
You may also be interested in...
All the Lands Were Sea
History
Arts
In late 1967, photographer Tor Eigoland traveled for more than: a month, mostly by canoe, among the countless villages of southern Iraq's vast marshes. Now, 45 years later, writer Anthony Sattin calls his photographs a "rare and ethnographic record of a lost world. They bring us back to a time and place where people lived in harmony with their environment and respected the balance the natural world needs to thrive.'FirstLook: Poetic Fusion
Arts
Prior to our modern practice of image manipulation with editing software, photographers worked more with planned intention and craft.Find Ramadan Lanterns on Cairo's Streets with John Feeney
Arts
In the March/April 1992 issue, writer and photographer John Feeney took AramcoWorld readers on a walk through the streets of Cairo during Ramadan.