
FirstLook: Birthday Feast
In the small town of Syrdaryo, about 80 kilometers outside of Tashkent, the capital of Uzbekistan, photojournalist Carolyn Drake visited the family of a local friend. The visit coincided with a birthday celebration. In the family’s main room near a window, a dasturxon (Uzbek for tablecloth used as a place setting, usually set on the floor) served as a focal point for sweets, appetizers and side dishes, surrounded by kurpachas, felt mats used for sitting or reclining.
In the small town of Syrdaryo, about 80 kilometers outside of Tashkent, the capital of Uzbekistan, photojournalist Carolyn Drake visited the family of a local friend. The visit coincided with a birthday celebration. In the family’s main room near a window, a dasturxon (Uzbek for tablecloth used as a place setting, usually set on the floor) served as a focal point for sweets, appetizers and side dishes, surrounded by kurpachas, felt mats used for sitting or reclining.
Laid out across the center of the dasturxon are four bowls of chocolate and pastries. Plates of cheese and kolbasa (sausage), and seeds and raisins mirror them from both sides, while alternating plates of olivier (Russian potato salad), kraboviy salat (Russian crabstick salad) and a salad topped with pineapple border the edges.
You may also be interested in...

Spotlight on Photography: Discover the Marshes of Iraq in a Visual Story by Wilfred Thesiger
Arts
History
“In the Marshes of Iraq” — November/December 1966
Spotlight on Photography: Explore Moroccan Zellige (Zillij) Tilework in Fez With Peter Sanders
Arts
In patterns and refractions, the old city of Fez, Morocco, comes to life through the geometric tile works known as zillij. In 2001, AramcoWorld commissioned photographer Peter Sanders to tell the story of a family who for five generations has added new dimensions to art and architecture.
AramcoWorld: 75 Years of Visual Storytelling Through Photography
Arts
History
Part 2 of our series celebrating AramcoWorld’s 75th anniversary this year highlights “visual vagabonding”—the magazine’s expanded use of vibrant images over the decades to fulfill the mission of cultural connection.