
Spotlight on Photography: Discover the Marshes of Iraq in a Visual Story by Wilfred Thesiger
“In the Marshes of Iraq” — November/December 1966
November/December 1966
As we celebrate the 75th anniversary of AramcoWorld this year, we are looking back at some of the memorable and visual story spreads in the magazine. In the past, AramcoWorld has written about the cultural impact of a simple reed hut like those in the marshes of Iraq and built recently in Houston, Texas. That journey really began in 1964, with the publishing of Wilfred Thesiger’s book The Marsh Arabs. His travelogue connected the world to a culture and people few had known or experienced. AramcoWorld amplified that connection in the November/December 1966 issue with the story "In the Marshes of Iraq."
“… then I realized that I was looking at great reedbeds. A slim black, high-prowed craft lay beached at my feet—the sheikh’s war canoe, waiting to take me into the Marshes. Before the first palaces were built at Ur, men had … launched a canoe like this and gone hunting here. … Five thousand years of history were here and the pattern was still unchanged.”
— Wilfred Thesiger, The Marsh Arabs
You may also be interested in...
.jpg?cx=0.5&cy=0.5&cw=480&ch=360)
Photo Captures Kuwaiti Port Market in the 1990s
History
Arts
After the war in 1991, Kuwait faced a demand for consumer goods. In response, a popular market sprang up, selling merchandise transported by traditional wooden ships. Eager to replace household items that had been looted, people flocked to the new market and found everything from flowerpots, kitchen items and electronics to furniture, dry goods and fresh produce.
Ramadan Picnic Photograph by Zoshia Minto
Arts
On a warm June evening, people gathered at a park in Bethesda, Maryland, for a community potluck dinner welcoming the start of Ramadan.
The Lost World Of Southern Iraq's Marsh Arabs
History
Arts
In late 1967, photographer Tor Eigoland traveled for more than: a month, mostly by canoe, among the countless villages of southern Iraq's vast marshes. Now, 45 years later, writer Anthony Sattin calls his photographs a "rare and ethnographic record of a lost world. They bring us back to a time and place where people lived in harmony with their environment and respected the balance the natural world needs to thrive.'